Mixed Media, 24x36, 2020
To remember that every day is a blessing from Creator and throughout Covid-19 we need to hold our family close and protect them.

Indigenous Motherhood and Matriarchy was exhibited at Arts Commons in partnership with the RBC Emerging Visual Artists Program.

Mixed Media, 30x50, 2016
This is a photo of my Grand-father and Great, Great Grand-father. It was taken at Calgary Stampede. He is telling a story of how one day the north and south will be one again. David One Spot was alive during the signing of Treaty 7 in 1877.

Permanent installation can be viewed at the Tsuut’ina Nation Seven Chiefs Sportsplex.

Mixed Media, 24x36, 2019
This Photo was taken to honour My Father Alan One Spot and our Family Heritage

Photography/Mixed Media, 20x30, 2017
Our grandfathers and spirits of our ancestors who protect us every day. By honouring ourselves we honour the memory of them. 

9th Annual President's Student Art, Craft & Design Exhibition at Alberta University of the Arts winner

Mixed Media, 20x30, 2018
This mixed media photo represents healing as we come together as a Nation. The connection we share while we enjoy our traditional songs, dances and colours of the regalia

Mixed Media, 20x30, 2020
We are present in this reality but we must honour or spirits need to rest and recharge ourselves so that we can move on day to day with ease, strength, confidence and good health.

Our Stories, Our Voices, Our Ways was exhibited at Fort Calgary in partnership with the Lodgepole Center

Mixed Media, 24x24, 2020
In this world we wake together, a world within a world, we sleep and we Dream of other Realms.

Mixed Media, 24x26, 2019
As we all gather together in celebration, our hearts beat as one with the drum.

City of Calgary uses this work for their Digital Art Calls

Photograph, 24x36, 2017
9th Annual President's Student Art, Craft & Design Exhibition at Alberta University of the Arts winner

Photograph, 24x36, 2021

Photograph, 24x36, 2022
Model: Brianna Meguinis

Photograph, 24x36, 2022

Titled, “Solitude” it represents the responsibility to carry a child to full term. This involves taking care of her mental health, body and spirit for the well-being for her and the baby. The responsibility of child-rearing and finding balance is also very important. The ripples around her also acknowledge in the spirit the hardships of losing a child through miscarriage. The void in one's love and ones self is reflective and self care is needed to heal. The arrival of a child, the death of a child and the absence of a child need to be respected of the woman.

Photograph, 24x26, 2022

Photography, 15x40, 2022

The female energy that we hold inside our bodies are sacred. Every month our cycle is renewed and our wombs hold space in our bodies to create life that needs to be nurtured and cared for. Finding agency through nature helps strengthen the connection through the natural cycles that our bodies endure. Feeling the vibrations and hums through our spirit from the channels of nature is a natural meditative remedy that helps our mind, bodies and spirit feel grounded in ourselves. These 2 images are of the same however, the colours represent the ever-changing emotions a woman goes through during her lifetime.

Red - menstrual cycle and connection to the natural world.

Purple - ceremony and connection to dreams.

Blue - womb and intuition.

Yellow - hope and connection to the divine/spiritualism

In Full Bloom was exhibited at ATB Branch for Arts + Culture.

The Pop Up Art Gallerywas apart of Chinook Blast 2023 at various Calgary Public Library branches, showcasing featured works from local Indigenous artists, curated by Four Winds Indigenous Showcase & Market.

Working with a light-weight material such as saran wrap allowed me to express the transparency of life through death and death through life that starts at birth. I started to explore forms, the anatomy of the human figure and the breakdown of what and where the spirit comes from and what happens during the threshold of life and in the instant of death. Without concentrating on the trauma and hardships of death in its own, I wanted to illustrate the wondrous and beautiful moment of the journey of the spirit through form and as an absence of time. In the spirit realm, time is non-existent and /or flows different than our world. All organic material at the end goes back into the earth and thus is born another cycle. This research and sculpture is an interesting way for me to investigate and talk about my personal spirituality without exposing my spirituality, culture and essence as a Dene, Tsuut’ina woman.